#.........okay NOW i'm going to sleep

[celestialrealms]

"I don't know enough about the trio/Triworlds (somehow) to talk about them."

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[ariadne-mouse]

"My hair is longer and so is my list of grievances. Your ex says hi by the way."

[johnslittlespoon]

Tough And Sweet (Like You And Me) ♡

'Gale looks unfairly handsome in the soft golden light of the late evening, but even more unfair is the fact that John can’t just bridge the gap between them and kiss his feelings away. The more time he spends around Gale, the more it feels like he’s being consumed by his overwhelming infatuation, and there’s not a single thing he can do about it that doesn’t involve the risk of scaring the man out of his life.

So he shuts the truck door behind him after promising Gale he’ll text when he’s safe inside, and he tries not to stare too forlornly as the truck putters off down the street and rounds the corner.'

[ AO3 ]

[orb-weaving]

Recognition

[thequeenofsastiel]

"You faced the monster inside of you, and you fought back."

That quote always brings me to tears. Because it's so true. It's an acknowledgement that Soulless Spike was more than just the demon that possessed him when he died. William remained. Suppressed and controlled by the vampire soul inside of him, but still there. And when that trace of who he had been as a human fell in love with Buffy, it grew stronger and stronger and stronger. And being surrounded by good people increased it even more. Especially the love he grew to have for Dawn as well, because I absolutely believe that he loved her too, and the fact that it was a paternal love rather than a romantic love was, I think, helpful on an even deeper level. Spike was surrounded by love, and that bit of William that remained was bolstered so much by that love that it grew stronger than his vampire soul. He faced the monster inside of him, and he fought back. And he fucking won.

[k9effect]

Bradley "Boyfriend" Bradshaw

Messy hair, hickies and soft clothes <3

[merlins-strawberriesandroses]

The thing no one ever considers while writing up character analyses about Merlin is that. he must have been sooooooo sleepy.

[andorerso]

[inkskinned]

maybe i'm a bitch but if i hear you go out of your way to judge someone's weight, i immediately lose trust in you & will probably forever find you a little unbearable . yes also the little floating bar over my head will start reading [hostile]. this is natural and u caused it.

[commsroom]

a really small thing, but i like how eiffel and hilbert's exchange: "you ever meet anyone that could get things done all on their lonesome?" / "only one. her name is isabel lovelace." goes directly into the scene where minkowski suggests checking the turbines, leading to her (accidentally) fixing lovelace's shuttle. lovelace later says: "good thinking, commander. i wouldn't have looked at those for ages."

minkowski doesn't mean to help - actually, she's supposed to be doing the opposite of that - but it remains true that lovelace is only able to fix her shuttle because minkowski is there. i think it's an interesting point re: the show's themes in general, and also re: hilbert's specific (mis)perception of lovelace. he sees himself in her, he thinks she's the only one who understands his perspective (and hilbert's arrogant belief in this ideal of pragmatic self-sufficiency leads to both the failure of his life's work and the end of his own life), but what he sees in her isn't her; it's the trauma he's put her through. he's the only direct connection to her past. he's the only one who calls her isabel. they both die, and she comes back, and he doesn't, and she decides to be isabel lovelace again.

[ryanguzmansource]

Full Audio Transcript (6.17.24)

The following episode contains potentially disturbing content and we want to alert trauma survivors. It contains material that for some may be difficult to discuss or listen to.

This is He Said, Ella Dijo with Eric Winter (EW) and Rosalind Sanchez (RS).

RS: Como estas, Eric?

EW: Oh, bien bien, and you?

RS: Hoy tenemos una persona muy especial, mi gente. Guys, we are, I know you don't, but you're learning. We are excited about our guest today. He's an actor currently on ABC's 911, which is a huge show.

EW: In the ABC family.

RS: Yes, you may know him from Step Up dance films or from playing the sexy boy next door opposite Jennifer Lopez.

EW: That's right, we have Ryan Guzman. He's here with us today to talk about his new film, The Present, out tomorrow. We're excited not only to dive into his career, but so many other personal things he's opened up about—mental health, his career, so many other things he's been talking about. So let's bring him in.

RS: Yeah, looking forward to Ryan Guzman.

Ryan Guzman (RG): How you guys doing? You guys sweating in that room?

EW: Yeah, man, it's been hot in here. We don't want that air running because you're gonna hear it in the background. So we're just like, this is all for you, Ryan. We're just gonna be sweating the whole podcast.

RS: My armpits almost stink, I hate it!

EW: Yeah, that's great. Great way to open up the podcast.

RS: It’s terrible. Anyways, we're so happy that you are joining us. Thank you so much for doing this.

EW: Yeah, fellow ABC star now. I know you guys jumped over from Fox. You're now on the network where I'm at.

RG: Yeah.

EW: How's that transition been? Has it been weird? I've never been a part of a show that jumped networks. Did it feel totally seamless to you?

RG: Honestly, I've never been a part of something like this either. I mean, I've been on four other TV shows and this one—it felt like a revamp for our show. So it's just like, as soon as we went from Fox to ABC, all of this promotional that we've never even seen in six seasons happened.

EW: Yeah, like a relaunch almost.

RG: Yeah, it was a relaunch. So it was, you know, a blessing. We're all grateful for it.

EW: Which is great. You guys came out with a bang. The ratings were great. You guys were sitting pretty in a good position.

RS: How many seasons now?

RG: Now we're gonna be going on our eighth.

RS: And you've been part of it since the very beginning?

RG: Since the second season.

RS: Since the second, wow, long gig. That's awesome. Good for you!

RG: It happened perfect timing right before I was about to have my first born.

EW: Really?

RS: Oh my God, perfect.

EW: Congrats. So your first born is how old then right now?

RG: Five.

EW: Five. And you have just one right now? You have a second?

RG: No, two. Yeah, I have two. I have a three year old. Little boy, Mateo and my baby girl, Genevieve.

RS: Oh, that's beautiful.

EW: Changes your perspective on everything, right?

RG: Amplified everything. Yeah, yeah. I mean, I'm also losing hair quicker than I'd like, but.

RS: Yeah. We just did a podcast and we were talking about parenthood, you know, and generational trauma and how I understand my mom now that I'm fifty-one more than ever. You know? My whole life, it was all about, I don't get her. I don't get it. I don't get her. Why, why, why? And now as a mom of a twelve-year-old girl, I just go, okay, now I get my mom.

EW: Yeah, you're not there yet. You're getting some challenges, I'm sure. You know that they say with the terrible twos, the terrible threes, the fucking fours, the fucking fives. That's it! It'll beep those curse words out. But I mean, there's challenges at every level, but there's also so many blessings and so much fun.

RG: Yeah, I'm sure right now as a twelve-year-old girl in this day and age—I'm sure it's insane.

RS: It is work. It's a little work. It's beautiful, listen, it's delicious, it's amazing. She's awesome. We have a little star. She's a tennis player. She's a good girl. But she is so fierce. She's fiercely independent, and she's at the age that I know everything and you don't know anything and just leave me alone because I am finding who I am. And sometimes you want to slap her and be like, you don't know, you don't know shit. So it's interesting.

EW: Let me ask you this, Ryan, because we were just having a conversation about our son is very, very passive. And I mean, he's coming out of his shell more and more, but we have some good friends that started their kids at a very young age in jujitsu and all these things that are just great training grounds to learn for self-esteem, for self-defense, for all these things, right? You grew up doing taekwondo, correct? Got your black belt in taekwondo. Started where you were like around eight, am I right? In that range?

RG: Yeah, it was my seventh year old birthday I started, yeah.

EW: What was the reason that, was that just, why not, I'm gonna try something new? Or was there something that prompted you to go, ah, taekwondo, I wanna jump in?

RG: Way too many Bruce Lee films.

EW: Yeah, I was gonna say, because I used to love watching movies like that too and get excited. So that—it just became a cool thing. You're like, I wanna do it.

RG: It was, honestly, it was everything. Bruce Lee was my idol, he still is my idol. From the philosophical to the physical, it was just a key component in my own evolution. So as I got to read more books, I mean, I was a young kid reading Bruce Lee books and Richard Marchenko books, which are Navy Seal books. I don't know why my interest led me there, but I feel like I needed that kind of structure. And that structure has been such an incredible foundation for, I mean, all of the success that I've been able to be grateful to get. So I highly advise every parent to put their kids into Jiu-Jitsu, wrestling at least, if not some Taekwondo or karate or some kind of martial arts, especially if you're a boy.

RS: I told you.

EW: I'm open to it. I have no problem with it.

RS: We just talked about this.

EW: I have no problem with that. I just know my kid's not gonna do it yet. He's six. I just know like his personality. He did a version of like a Taekwondo for a bit. He lasted, it was like, you know, little kids running around.”

RS: No he never—he did karate.

EW: Well karate. I think it was Taekwondo.

RS: No, it was karate.

EW: It was for sure a blend.

RS: Really?

EW: For sure a blend, it wasn't just straight cut. But he did it for a few years and then kind of got bored, right? And like with any discipline, it takes a lot of work, a lot of patience. I think the age you started feels like a pretty solid age to dive into something that takes that much focus and patience as well to learn.

RS: Did they get hurt though? At six and at seven, when you see them fighting and doing Jiu Jitsu, that is such a physical and a contact sport, do they get hurt?

RG: Yeah, I mean, they can get hurt, but they can also heal really quick. They're young. So I mean, when I was doing Taekwondo, I ended up sparring guys that were like actually twenty-years old to even my master and actually got taken out of—what was it?—a tournament because I broke my hand trying to break, I'm trying to block one of his kicks.

EW: Oh wow.

RS: Oh no.

RG: Yeah. I would say there's different, you know, personality types. I think from one to six, it's less about the structure and less about the discipline. It's more about play.

EW: Yeah.

RG: How can you allow them to feel comfortable in their own bodies and know their movement and then play with this now new martial art? And then after that, then yeah, you start to develop more structure and discipline and say, this is, you know, we got to tame the mind before we tame the body. And you start to understand a little bit more of why it's called an art, martial art.

EW: And when you first started competing, what age were you when you jumped in and then you started fighting, taking shots?

RG: I think it was right away. I was like, I'm around maybe eight, nine. Yeah, around that time.

EW: You learn life lessons quick, right? Like Mike Tyson says, everybody's got a plan till you get punched in the face. Then you have to figure it out.

RG: Yeah, yeah, I wanted to be quick. I wanted to be powerful. And I think another reason why I liked Bruce Lee so much is he was a tiny man. He wasn't a massive, like Michael Jai White kind of guy. So he was able to demand respect just off of his own technique. And I thought, you know, okay, I need to copy that. Technique can beat power and strength or technique can beat strength. So I ended up doing that and proving to myself like, oh, even at eight years old, I can be a force. And as soon as I started doing actual sparring, I just kind of fell in love with it, with the competition of it.”

RS: So Taekwondo and then MMA, right? Because you did a little bit of MMA. So all this is just fighting. When did acting came to the table? Like, and how?

RG: The acting was something I never even thought of coming from Sacramento, I mean, that's not even something that we talk about out there. And it's either martial arts or working for the state or an automotive job. But none of that called me. I was doing modeling in San Francisco. I got offered to do a photo shoot in LA, and I just asked my modeling agency from San Fran to hook me up with an agency in LA, not knowing the racket that modeling is. And I stayed in a one bedroom with five guys creating a massive amount of debt before I learned there was commercials and there was acting available. And I think the competitive streak just kind of clicked. And I was like, well, I want to get out of this situation. That seems to be making a lot more money. And this is the time and day where commercials—the nationals were actually bringing in some money. I don't know if the landscape's the same anymore.”

EW: It's very different for sure.

RG: Yeah, so I was very fortunate at the time to catch the tail end of that. And then I remember being a new twenty-three year old in LA. I'm going to clubs, I'm enjoying, I'm having a great time. And I'm seeing some of the guys that are being successful as actors. And they're kind of like, they were idiots, to be honest. So I was like, how are these guys, you know, so successful? Like I got to try this acting thing out. And I remember I didn't have enough money to download scripts. So I would just take the same page or pages that I had in my place and I'd write my own scripts off of the internet. And I would invite two or three, maybe even five guys over to the house, and I'd just start doing those scenes in front of them. And that was kind of my acting class. And then I went and auditioned for a manager, didn't get that manager, got another one who is my manager today. Three months after that, I booked the lead in Step Up and my life forever changed.

RS: Oh my God. So it was fast.

RG: Within nine months. So yeah.

RS: That's incredible. Good for you. That's incredible.”

EW: I can relate to your journey in a lot of ways. I had a similar—I went from sports to modeling to the same thing, curiosity with acting, reading different books about acting, seeing people do commercials. And like you said, back in the day, you could do one national commercial and if it was a good one, you could actually make your living for the year off of just one commercial. And little by little, just very, very similar path. I didn't get one big movie out the gate that changed my career. It took a lot of grinding. That's an amazing blessing to have something like that happen. And then you have to balance the ebbs and flows of this business at that point, right?

RS: The dancing was just organic to you? Or you were a dancer? A lot of people have that question. Does he really dance?

RG: It was something, I think it's—culturally, I don't know, just being Mexican-American, I was literally raised with my family going to do, like Quinces' [Quinceañeras], or like just parties in general, we'd always dance. And it was less about the one, two, three, ba, one, two, like doing any kind of structured kind of stuff, more of the feel. And I've always loved dancing, but never on that level.

RS: How was it having to follow choreography?

RG: It was kind of like fighting. I put it next to it because the amount of hours we did—we did eight hours every single day for about two, three months. I remember seeing the guy that, and I feel bad because I gave him such a hard time. He was supposed to be my dance double, but my competitive streak was just like, no, no, no. I gotta be that guy. So I would do the eight hours with everybody and then I'd videotape our session and I'd go home and I'd do another two, three hours by myself. And just go over and over, and then I ended up being in every scene.

RS: That's awesome.

EW: Good for you.

RS: Have you done a movie playing a fighter, like an MMA, a boxer or something like that? Have you done that already?

RG: I've not. I've wanted to for the longest time. And I don't know if—I think it'll come. Everything's happening for a reason. I believe in... to, actually what you were saying earlier, getting that job right out the gate, it was overwhelming. It was too much for me at the time. I wasn't ready to be catapulted in the way I was. And I wasn't an actor really. I wasn't really a dancer. I had kind of just been fooling everybody.

RS: How old were you?

RG: I was twenty-three.

RS: Oh baby, okay.

RG: Yeah, so I'm brand new with all this.

EW: Months in, like you said, months in.

RG: Yeah, and everybody's thinking that I'm this thing and I'm kind of taking it. My ego was like, yeah, yeah, yeah, maybe I am. And then reality kind of checked me and the next movie I did and two movies after that were bombs and I realized I don't know anything about this business. So I would say up until maybe three years ago, I didn't really call myself an actor and I was just lucky to count my stars that I was amongst other actors that were like a Jennifer Lopez or working with the Richard Linklater and now Glenn Powell being who he is now. So just super grateful that I got the time and maybe the hustle that I had, those combined allowed me to stay and have some longevity in this career.

RS: Did you get caught up in the whole business—the ugly dark side of Hollywood because you were so young and it came so fast?

RG: I didn't get caught up, but I definitely got put onto it, and it quickly showed me I want no part of it. That's why I kind of say to myself, I stay with my kids. I rarely do any press, but that was just like, the fame game was never something... I don't want to be seen too much and then have to speak in front of thousands of people as if I'm speaking for them. I can only speak for myself and my experience and hopefully people connect to it. But I saw a lot of people that were not necessarily skilled in any asset becoming really famous and rich. And it kind of just wasn't feeding anything other than a hole in the soul. So it kind of made me go a different direction.

RS: That's amazing.

EW: Do you remember on your climb at any point—maybe an older actor you came across that maybe, maybe not a full mentor—but somebody who guided you or gave you some words of wisdom early on that might have helped you navigate this business or any of that even failed you and just set you back going, oh, that was a horrible example of somebody on set? You don't have to name names if you don't want, but I'm just curious if you had people that hit those marks.

RG: I've definitely been blessed to be, I mean, I've worked with some of the greats, Edward James Olmos, Jennifer Lopez, I mean, Juliette Lewis. I've worked [with] some amazing actors and actresses. I could, yeah, I would never name names, but I have gotten some really good advice and some really like [makes a noise] advice. And... so grateful for the good advice. Eddie Olmos has given me some incredible advice. He's just a sound individual.

EW: He's a great human.

RG: Yeah, and his son, Michael Olmos, another sound individual. But I think it was just on all aspects—just stay true to you. I think that's the general narrative that I've gotten from plenty of other individuals. It's just, no one can do you. And your uniqueness is meant to kind of shine in its own unique way. So if you're trying to be—I can't be Antonio Banderas I can't be, even though I'm a Latin actor, I can't be somebody else that's already had that role. I need to just kind of explore myself and allow that to shine, and that's what I feel like I'm just starting to tap into these past couple of years. So I'm really excited to see where it goes.”

RS: Before we talk about your movie coming out tomorrow—and listen, we don't have to talk about it if you don't want to, because we want to be very respectful—but we read that and you came out openly saying that you had to deal with some mental situations, and you battle a little bit of depression at some point in your life. Only if you want to talk about it, otherwise we don't have to. I was just very curious, where did depression come from? If you even know.

RG: Yeah, I've spent many, many years dissecting where the depression has come from, and it's essentially from people pleasing. It's a trauma coping mechanism that I started a long time ago when I was a child, and I didn't even realize it. And it's kind of these things that I'm aware of now raising my own children to give them less to work on later on in life and give them a better foundation. But yeah, as I got older, I started to realize that I was people pleasing so much to a detriment that I had nothing left for myself. And I've even watched old interviews and where I'm smiling the whole time and trying to say the right thing and do the right thing and be the perfect individual, be the all-American boy, and that's not who I really am. I'm flawed and I have my own issues, and I think being raised a Mexican-American man who's not supposed to tap into his feelings or understand them, let alone, that set me back a lot. So I came to a point about seven years ago where I reached my limit, and I had just seen my parents' divorce. I had just gone through a horrible relationship, and I was looking around for some kind of aid, somebody to be there, and no one was there.

And I realized that I had been leaning on the wrong people. So feeling that lonely, feeling like you wake up and you just know what's gonna happen every single day is just kind of a time suck and it's quicksand, and that's how the depression kind of starts. And luckily, I got a second chance, and from that moment forward, it kind of just awoken—I awoke into something new, something better and a path towards a purpose. So. Yeah.

RS: The second chance came from within, from a person, from a book?

RG: The second chance came from my attempt at not working. So I'm a very extremist person type, and right after my attempt did not work, I just started crying like crazy. And I was in a horrible environment. Somebody was yelling at the other side of the door. You know, just horrible things were happening at the time. And then after I stopped crying, I remember sitting on my bed and just having this moment of like this epiphany. You can't ever be the same. You got to be something different because you've already reached the absolute limit with this type of person you are. You got to deconstruct, break everything down because the foundation you've been building on is so fractured and cracked. And for the last six, seven years now, I've broken myself down and try to stay as humble as I possibly can and look at all the horrible things about me and then kind of start from there and rebuild and heal and allow myself to be a different individual and actually show and implore people to change via changing myself.

RS: That's amazing.

EW: Yeah, thank you for sharing that. I think a lot of our listeners will gain a lot just hearing. Maybe they don't go through something to the extent you went through, but everybody deals with some sort of down moment, whether it gets as far as a deep depression or not, and a lot of people don't know how to even pull out of the simplest thing. And you, like you said, hit a level of rock bottom and had that epiphany. Thank God. Now, I mean, you're a dad and you have so much to offer your children and let alone your own— yourself and your life. You have so much more to do—so thank you for sharing that. That's powerful.

RS: I'm assuming spirituality is very important in your life at the moment.

RG: Yes. Yes. Yeah. That's part of my purpose as well. I was raised a Catholic. I was an altar boy at one point in time. I went into the seminary for a little bit. And then I kind of disassociated with the church and religion in general. I saw the underbelly of it. But yeah, my spirituality is—I started to reread the Bible and tap back into my spirituality and just be open to Eastern and Western, allowing all forms to kind of really like be permeable. So I think there's so much to this life that to say that you know it all is kind of cutting yourself off of so much opportunity and abundance. Yeah, so that's kind of where I'm at right now. Just—I'm exploring that with like-minded individuals, and propelling love rather than fear, so.

EW: It's great that you're putting all this into perspective in your life now because especially—I know every business has challenges, but I think in a business like ours, where so many people—their happiness hinges on the ups and the false belief that people around you have all the time—and the moment you don't deliver, the moment people's attitudes or perceptions of you change, or the moments—it's such a roller coaster emotionally, the business that we're in, that a lot of people, I think, aspire or want—they want it so bad because they see fame, they see that meaning, the all-encompassing success. You must be happy because people know who you are. It's like nobody has to know who you are to be happy.

I like what you said—just staying out of press unless you want to do something or maybe you have a social media presence when you want. But it's not because you feel the need to feed the ego to be seen by everybody else. It's something that speaks to you, so I'll do it. But it's not to please people. And that's what this business has become for so many others. I need to constantly please. And when I'm not pleasing, I failed. And when you fail, you feel like, what have you accomplished? You could have accomplished—you could be an Oscar winner and it still wouldn't be enough. Because you're gonna fail at some point again. Like it's very rare that someone just rides high all the way through in this business. And so I think our business is such a tough one to navigate the waters you've been through. But thankfully you're putting those pieces in perspective now, which I think is perfect timing because your career is just gonna continue to go and go and go and go and go like that, because that's just what the business does. But you've got the tools now.

RS: It's brutal, to be honest. So it's good when we find spirituality and when we have all the things going for us that are so much more important, like parenthood. Because for me, I decided to be a mom late in life because it was all about career, career, I need to make it. And I wasn't searching fame. My problem with the business—and the lows were low. Not because, oh, I'm not where I wanna be because I wanna be famous. It was more about why do I have to constantly prove myself? I've done big movies, I've done huge TV shows and then why is there, what I call in the meantime, this moment of nothing that all the stuff that you have accomplished basically becomes nothing and you have to do it all over again. And it's the constant, I'm swimming against the current. It's not about being famous. It's about why, like it's been almost 30 years. Why do I still have to prove to you that I can do this when just look at my body of work? I've done it many times before. And it is very frustrating.

RG: Both of you guys have great points. I mean, and both of you guys' careers speak for themselves. I would say that I've been blessed now again with this new chance at life that I've come to understand it's more about connectivity. Connectivity to like minded individuals and loved ones and connectivity to a purpose, which for me is creativity. So to your point, I always felt that same way where I was like trying to outdo my last thing and that was so fleeting—or get some type of money, some type of recognition, and it was all fleeting because at the end of the day, after you pass away, that's all gone.

But if you create something, you connect with somebody, that remains even after you pass. So that's what truly matters. So I find myself having deep conversations with individuals. I find myself getting lost in my art or my poetry or writing screenplays and just kind of just creating, allowing my own storytelling to come in and flourish. But it can be very defeating in the time and age that we're in right now. So many people are trying to be social media stars and do the next TikTok dance and say the next absurd thing to get all the views.

And I think they're gonna find what I ended up finding a long time ago, which—one example sticks out in my mind. I'd always wanted to throw a first pitch in a baseball game or at least be a part of a baseball game, and I luckily got invited to the LA Dodgers game. And I remember getting that experience and the people that I wanted there weren't there. So it felt meaningless. And it felt like I had no true connection. I'm like, my mom, my dad, my brother, somebody should be here. Why are they not here? I've lost all contact because I've been so busy working. I've been so focused on creating this brand of Guzman. And now I understand. It's like, none of this means anything without the people that you care about right next to you.

EW: 100%. Talk to us about your movie. This is exciting. The Present.

RG: Yeah, The Present is an awesome film. It's a good wholesome family film. Nice little comedy in there. Cause you know, Isla Fisher, Greg Kinnear, they're incredible individuals. The kids kill it in this. I mean, they're the star pupils in this film. And then it was new for me. It was a little fun role to play. You know, comedic timing, trying to master that still. But I had fun with it playing opposite of Isla. And essentially the movie is about a family who's on their way to separation going on divorce and their kids get gifted this grandfather clock and this grandfather clock can turn back time. So the kids try and use this to try and save their family's relationship. And everything that ensues is really nice.

EW: You know, when I saw the premise, I was thinking to myself, cause I come from divorced parents and I remember as a kid always going like, how can I just change this? How can I take that back? And so to put that into a movie, I think is a fun concept that anybody coming from a divorced family could probably relate to in that sense. Cause you always want to turn back time and go, is there something I could have done? And even though, you know, kids take that blame, but it's a great premise. That sounds like a lot of fun.

And comedic timing, like doing comedy and stretching, even though you've done it before and you continue to do it, it's like, it's always its own art form. It is so tricky. People don't understand how difficult great comedy is. Like, I always think some of the best actors in our business, period, are comedians, because to make someone genuinely laugh, like crying laughter, to me is way harder than making someone feel like cry with tears of sadness. I think people can tap into that as a viewer much easier than like someone genuinely making you die laughing. So just doing comedy as an actor is such a fun art form to continue to explore, I'm sure.

RG: 100%. I mean, Robin Williams is the, I would say my go for that. He shows—”

EW: Do it all.

RG: The comedy that he does is so based in truth.

EW: Yeah.

RG: It's so grounded. That's why it works. And obviously it helps that he can play like 12 million personalities, but—

EW: Totally, but then he'll crush the drama at the same time. Like he'll do drama, no problem. Then to do comedy, you don't see a lot of dramatic actors come over and knock out comedy like you see comedians go over and knock out drama.

RG: Yeah.

EW: So I think like it's awesome that you got to explore that as well.

RS: Is there one thing that you see yourself in five years doing? You have a successful show, and now you're a dad, you know, you're pretty accomplished. But if you can look at your future and be like, there's this thing that is my north is the next, is what is gonna make everything make sense and be full circle.

RG: Yeah, being my own director. Right now I'm working on a film that I've written. I'm working with an incredible director, Mo McCray, mentoring under him and taking ownership of my own career and allowing myself to kind of open the space and open the door for not even just more Latinos, but just in general for newer voices and more creative voices and human experiences. But I mean, there's always that one big thing to be like a Marvel superhero at some point in time.

RS: You will.

EW: You can have more than one North for sure, but that's a great one. That's a great one.

RS: You know, it's interesting. I'm going through the process. I'm leaving to go to Puerto Rico to do this thing that I wrote that I'm gonna direct. It's my first feature that I'm directing, and it's like, I want it to be like the second stage of my career. And it's so hard, Ryan, to—it's an independent film and to be able to raise finance, you know, it's years, you know, like we had Ricky Martin a couple of podcasts back and he was saying that he learned that in this business, everything takes five years from beginning to end is five years. And now that I think about it, I'm like, you know what? Absolutely right. It's gonna be five years, you know, once I'm done, I edit, you know, locked picture, boom, it's gonna be five years.

And it's been brutal. The process, it's been brutal because it's a lot of letdowns and people offering you all kinds of things and at the end of the day, it's all BS, you know, it's all smoke and mirrors. And the only thing that keeps me going is the love of the art and the love of what we do because I wrote it and it's so special to me. It's like my third baby. And even though I'm going through logistical nightmares and finance, is it gonna fall apart? Is it here? Is it not? When I sit down to do my shot list and when I'm actually doing the creative work of it all, I can do that all day long. All day long, because it's amazing if you love it.

RG: Yeah. Yeah, the business part of it is just—it's defeating. The creativity part of it is incredible. And I'm sure this is just gonna be, you know, an abundance of opportunity and knowledge, you know, for the next thing. And like anything you do in life, as soon as you begin something new, you probably suck at it, unless you're one of those rare few individuals that can do everything. But there is a learning process, a learning curve. And this was gonna probably be one film that spurs on so many other films now.”

RS: Amen.

RG: Watch and enjoy.

RS: Yeah, amen. Anyways, thank you.

EW: Well, Ryan, thanks for hanging with us today. This was awesome, man. Thanks for sharing everything. Wish you the very best. Obviously you're crushing it and you have a lot of great aspirations still to come. So we truly wish you the best.

RS: Thank you.

RG: Alright, guys, you guys have a great day.

RS: You too, bye bye.

EW: That was great.

RS: Oh my God, he's so wonderful.

EW: Yeah, such an awesome guy. And truly wish him the best with the trajectory and everything he has planned for his career beyond 911. I love that he's writing and wants to direct. Check out The Present movie coming out tomorrow.

RS: Tomorrow. On demand.

EW: On demand. Till next time.

RS: Bye, love you.

[prentissluvr]

yay i'm so excited!! i think your writing is so warm and beautiful! right now ive been thinking about sam trying to figure out what nickname you like best. like you'll be researching a case and suddenly he'll look at you with a smile and say "what about honey? suits u" and you'd just melt right there looking into his soft eyes!! AAH he's so cute I literally need him 😭

-💐

ahhh thank you so so much darling!!

aHHH BESTIE OMGGG STOP I'M SO SOFT that is so so sweet and cute i'm crying :,)

i am a firm believer that sam calls you honey allll the time it's soooo so cute imo and so him <33 i think he sticks with pretty classic nicknames like honey and baby the most, and loves whatever else you ask him to call you. like if you have a nickname in a different language that you speak that you like, he tries so hard to match your pronunciation as perfectly as he can. if not he'll settle for you using the nickname on him instead hehe. ughhh but back to honey i'm just :,) crying that's such a cute little scenario. like he's not actually focused on his research, the sweet loverboy oh my god. like he's just mulling over pet names that might fit you that you'll like. because he actually adores calling you by your name. i don't think he's the kind of person where calling each other by your names is like oh no what's wrong they're not using my designated nickname. i think he has so much reverence and adoration for your name because that's you, that's his baby!! plus he loves to hear his name in your voice.

but he also finds simple pet names soooo sweet and lovely and loves to use them for you. it's just that you've only started dating recently! and he's actually had these pet names swimming around in his brian for ages, but he doesn't want to use them too soon or make you uncomfortable. so he's staring at some lore website thinking about how muchhhh he's been aching to call you honey all day (and week and month and maybe even year), but he wants to suggest it to you first to make sure you like it/you're okay with it. first, he starts with saying casually, "i'm coming up with nicknames to call you," to gauge how you feel about the idea. when you seem to like it (you're begging to find out what he's thinking), he decides he'll bring it up today

so when his gentle voice interrupts the sounds of clacking keyboards and motel ac, asking "how about honey? i think it suits you" you think your heart is ready to burst out of your chest!!! he sounds so sweet and hopeful as he asks, and when you look at him, you just about melt into a puddle on the floor when you see those pretty puppy dog eyes of his, silently begging for you to give a sign that you like it.

"it's perfect, sammy," you smile. his faces morphs into a full grin and his dimples pop out in all of their sweet, sweet glory, and there's nothing in the world that could have stopped you from standing right then and there and walking right up to him to plant a kiss to his pretty, pretty lips.

[transingthoseformers]

coming back on temporarily to suggest something

But

You know how idw Megatron can engage in mass displacement, right?

What if other versions of Megatron could too?

[14dayswithyou]

I am really confused about this game. Is it like "Doki doki literature club" ? the game seems to break the fourth wall after getting bad endings and someone speaks in red text. Is it Ren and is he stuck in the game like Monica?Or is he and Redacted separate people, with him being a game character,but Redacted being some sort of entity who's stuck in the void of the game,or in it's code,and acknowledges that it's a game and someone's playing it and they speak to the player, not the game's protag?

✦゜ANSWERED: 14 Days With You is like 14 Days With You. It's not meant to be similar to DDLC in any way, and Ren isn't supposed to be like Monika or any other self-aware character.

Please don't associate 14DWY with other games just because they share similar tropes. /lh

But!! To answer your question: Ren isn't aware that Angel and the player are separate people. As of right now, he considers Angel and you as the same entity, and speaks to you as though you're part of his universe.

Ren is aware that his entire existence only comes into fruition whenever you play the game — but to him, that's considered normal — the same way getting wifi from trees and not discovering 80% of the ocean is considered normal for us. Nothing is out of place for him, and the way he interacts with his environment doesn't seem weird or out of place for him.

The Dead Ends are the only time Ren breaks the fourth wall, but it's still a massive WIP and there's not enough content for it to make much sense yet. But once more Days get released, this will be further explained!!